November 18, 2010 — January 29, 2011
Experimental Media and Performing Arts Center, Troy NY
JESPER JUST
A Vicious Undertow , 2007
Super 16mm film transferred to black and white video, 10 minutes/h3>
Courtesy of the artist
A Vicious Undertow features an enigmatic narrative that charts a complex set of tensions among an aging woman, and a younger man and woman. Set in a decadent
lounge, the film opens on the older woman whistling an adaptation of the song "Nights in White Satin." The calm and precise pacing of the camera's movement is matched
by the slow articulation of each note. Shot on richly nuanced black and white film and transferred to video, the camera frames highly tactile details, from the weave
of a Japanese tapestry to the delicate patina of the characters' skin.
As the film unfolds, the older woman alternately dances with the younger woman and man; ultimately the young pair dance together, and the older woman departs for a
winding outdoor staircase with no disclosed destination. The film provokes more questions than answers, as in the song's lyrics, "Just what the truth is, I can't say
anymore."
EXHIBITION Jesper Just, Uncertain Spectator / Video still courtesy Galleri Christina Wilson, Copenhagen. Copyright © Jesper Just 2007
EXHIBITION Jesper Just, Uncertain Spectator / Video still courtesy Galleri Christina Wilson, Copenhagen. Copyright © Jesper Just 2007
EXHIBITION Jesper Just, Uncertain Spectator / Video still courtesy Galleri Christina Wilson, Copenhagen. Copyright © Jesper Just 2007
EXHIBITION Jesper Just, Uncertain Spectator / Video still courtesy Galleri Christina Wilson, Copenhagen. Copyright © Jesper Just 2007
EXHIBITION Jesper Just, Uncertain Spectator / Video still courtesy Galleri Christina Wilson, Copenhagen. Copyright © Jesper Just 2007
EXHIBITION Jesper Just, Uncertain Spectator / Video still courtesy Galleri Christina Wilson, Copenhagen. Copyright © Jesper Just 2007
EXHIBITION Jesper Just, Uncertain Spectator / Video still courtesy Galleri Christina Wilson, Copenhagen. Copyright © Jesper Just 2007
EXHIBITION Jesper Just, Uncertain Spectator / Video still courtesy Galleri Christina Wilson, Copenhagen. Copyright © Jesper Just 2007
Jesper Just was born in 1974 and lives in Copenhagen. He received his degree from the Royal Danish Academy of Fine Arts, Copenhagen, in 2003. Solo exhibitions of
his work have been presented at the Herning Kunstmuseum, Herning, Denmark; Perry Rubenstein Gallery, New York; and Galleri Christina Wilson, Copenhagen. His videos
have been featured in the Performa 05 Biennial, New York, and at group exhibitions at the Royal College of Art in London, the Indianapolis Museum of Contemporary Art,
and the Malmö Konsthall in Sweden. His work has been reviewed in various publications, including Artforum , Frieze , and Tema Celeste .
Uncertain Spectator exhibition opening Photo: Travis Cano
TOUR
Thursday, November 18, 5:30 PM
OPENING
Thursday, November 18, 6:00 PM — 10:00 PM
Featuring the Troy Chainsaw Ensemble
The Troy Chainsaw Ensemble is a musical group committed to aural invention through two-cycle combustion. The group engages playfully with the visual stereotypes of the
chainsaw while employing the rich timbral qualities of the tool to create saturated washes of sound.
SCREENING
Dancer in the Dark
Thursday, November 18, 7:00 PM
An assault against escapism in film, Dancer in the Dark is an agonizing and unrelenting narrative of cruelty, hardship and human nature,
punctuated with sequences of song and dance.
Uncertain Spectator is FREE + Open to the public
HOURS:
Monday–Saturday
12–6 PM
Closed 11/24–28, 12/8–13, 12/23–01/02 + 01/17
INFORMATION:
518.276.3921
Experimental Media and Performing Arts Center
110 8th Street, Troy, NY 12180
EMPAC 2010-2011 presentations, residencies and commissions are supported by grants from the National Endowment for the Arts, The National Dance Project of the
New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation, additional funding from the Andrew W. Mellon Foundation, the
Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to
the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.
Marie Sester's FEAR was made possible with support from the Cultural Services of the French Embassy in the United States.